Archive for the ‘ Professional practice ’ Category

Event Horizon
Creative Commons License photo credit: Martin Kingsley

I was one of the first to join a wonderful gathering of narrative professionals at Worldwide Story Network.

I will be hosting a teleconference on December 10th at 3:00pm EST (U.S.) on “SEEING CLEARLY: HOW DO WE INFLUENCE OUR CLIENT’S STORIES.” For more information, have a peek here. The framework for narrative formulation that I am using as the basis for our conversation can be found here.

I will kick things off by telling a client story using a formulation framework I’ve developed. I will use this story as the catalyst for a conversation about how to increase our awareness of the ways we influence the stories clients tell us—often without recognizing that we are doing so! I see our ability to be mindful in this way as critical in our development as narrative professionals and in fostering more open dialogue with our clients.

Objectivity is subjective

It is easy to separate ourselves from clients by striving to be ‘objective’ and ‘neutral’ and, while a mature professional distance is essential, we influence the story formation process in more ways than we may realize. The professional frames and discourse that is part of the contracting process, the dance of transference, the pressures of commerce, the assumptions based on our values, the blind spots inherent in our own developmental edges, the differences in social status and constructs are but some of the sources of our impact on the stories our clients can and do tell.

In this time of great uncertainty, it seems more important than ever to be conscious of our participation in the co-narration processes we engage in with others throughout our day. We are all in this together.

I invite you to join in our global community and join us for the call on December 10th.

Creative Commons Licensephoto credit: indigoprime
Any sufficiently advanced technology is indistinguishable from magic. I came across these words from the late Arthur C. Clarke, renowned science fiction writer, the other day and reflected on their meaning for coaching. They seemed particularly interesting given his choice to write about the future from Sri Lanka, a context where ancient battles for power are playing out in civil war. One of sources of power in using a narrative approach to coaching is that it helps individuals and groups reckon with the historical and cultural forces that shape their stories while at the same time envisioning new ones that can be told.

As I wrote about in a recent journal article, I believe a narrative approach is useful in developing ourselves as artisans who blend science and practice to meet our clients’ needs through the questions we form, the evidence we choose, and the reflexive evaluation of our performance. As more coaches develop mastery of the technologies of coaching, we may indeed move closer to the realms of magic. As I’ve also written, the language of “craftspeople” and “guilds” seems useful here. This echoes a comment from psychologist/anthropologist Brad Keeney (1990) who urged his fellow practitioners to free themselves from the tight embrace of medicalism and scientism in order to connect to the creative wellsprings of the arts.

One of the questions I will pose in moderating an upcoming panel on research at the 2008 ICF Conference is, “What can we learn at the intersection of art and science that provides better evidence to guide our practice?”

Where have you found the “magic” in working with your clients?

Creative Commons Licensephoto credit: liz_com1981
I’m often asked, “This is great stuff…but how will it help me grow my business?” While there is not a straight line between A and B as some might wish, I observe that people who develop a narrative approach to their practice seem to become more compelling to clients. What narrative coaching brings, in part, is a way of being with clients that is quite distinctive. As such, I see this approach helping your business in at least three ways:

  1. Increased signal to noise ratio: Working at the narrative level gives clients the opportunity to step outside the relentless pace of modern work life in order to experience time and space in new ways. Clients appreciate the chance to both slow down and get to the heart of the matter more quickly. Narratively-trained coaches bring a certain calm and presence to their work that many clients find invaluable.
  2. Increased transfer from sessions: As my colleague Amiel Handelsman attests, the true value of coaching is in what clients do after they leave their conversation with us. Clients pay us because they are able to see, think, feel and act differently as a result of coaching. A narrative approach is powerful here because the language and learning are based in the clients’ own stories. Rather than having to take on the coach’s frame, clients have ready-made anchors for their ongoing learning and new behaviors. I have found this grounded approach to be quite appealing to clients.
  3. Increased connection to a bigger Story: I increasingly see a hunger in my clients to connect their life and their work to something bigger than themselves. They want connections to people who know their stories—and therefore share a common referent point. It shows up in my organizational clients who want better alignment between individual coaching goals and organizational objectives. It shows up in my private clients who want to feel like their work matters. Being able to help make these connections through their stories is great for business.

What would you like to know about stories and your business? Post a question in the Comments box and I will gladly share my thoughts.

I close with a great quote I was reminded of again the other day in pondering the proverbial 37 days. It speaks well to the value of a narrative approach to coaching in helping clients see clearly the gaps between their vows and their life.
The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it. James Barrie